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李民浩具惠善简介
在游戏中心打工的青年草壁莲司,偶然目睹了一幕:情人节当天,一位英国少女莉莉独自一人沉迷于抓娃娃机。无论尝试多少次,她始终无法抓到奖品,眼看着要落泪的她,让莲司忍不住伸出援手。在成功抓到娃娃后,莉莉几天后送给莲司一张意想不到的信息卡——“Be My Valentine!”(请做我的恋人!)这是与一位可爱而天真烂漫的英国少女的邂逅,一个因误会而起的异文化交流故事,就此在游戏中心展开!。在千万年后的未来世界里,大批儿童失踪引发社会恐慌,上头指派“天安基金会”的马天马与李昂前去调查此事,两人寻着线索一路追查,却发现这一切竟是外星生物在搞鬼,除此之外,他们还在拍卖会上发现了能变幻成任意形态的外星少女、能预言未来的恒河双头蛇,就连台上的主持人也是外星生物所化,还没等两人反应过来,这群外星生物就对着观众席大开杀戒……。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。