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让子弹飞在线看高清简介
Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。诗人陆游年轻时娶表妹诗名卓著的“苏门四学士”之一晁补之的孙女唐琬为妻。夫妻二人诗书唱和，感情深厚。但因陆母不喜唐琬，恐误其儿前程，威逼二人各自另行嫁娶。在陆游百般劝谏、哀求而无效的情势下，二人终于被迫分离，唐琬改嫁赵士程，彼此音息隔绝无闻。 十年之后的一个春日，陆游在家乡山阴（今绍兴市）城南禹迹寺附近的沈园春游时，与偕夫同游的唐琬不期而遇。唐琬遣致酒肴，聊表对陆游的抚慰之情。一别十年，物是人非。这久别重逢，带来的只是绵绵无绝期的创痛！诗人见人感事，怅然久之，百虑翻腾，遂乘醉吟赋一阕《钗头凤红酥手》，信笔题于园壁之上： 红酥手、黄滕酒，满城春色宫墙柳。东风恶、欢情薄，一怀愁绪，几年离索。错！错！错！春如旧、人空瘦，泪痕红浥鲛绡透。桃花落、闲池阁，山盟虽在，锦书难托。莫！莫！莫！ 词中记述了诗人与唐琬的这次相遇，表达了他们眷恋之深和相思之切，也抒发了诗人怨恨愁苦而难以言状的凄楚之情。 唐琬见此词后，感慨万端，亦提笔和《钗头凤世情薄》词一首： 世情薄、人情恶，雨送黄昏花易落。晓风干、泪痕残，欲笺心事，独倚斜栏。难！难！难！人成各、今非昨，病魂常似秋千索。角声寒、夜阑珊，怕人寻问，咽泪装欢。瞒！瞒！瞒！。